It all leads up to the ticket counter which is almost set on a stage, the circulations also makes for smaller lines. The layout is skillfully is arranged like a succession of spaces where each space is like a detached frame of its own. The entrance lobby contains a concierge, cafe and an educational workshop with interior- exterior transparency which creates interest for those out on the road.
The focus was on a strong area program or layout to improve functionality and give sculptural quality to create drama for each moment the visitor is there. She graduated from the MA Film and Screen Media at the Birkbeck University of London.A ten-screen cinema at Centre Beaugrenelle, Paris was recently renovated by Studio Ora Ito.
She is also the Specialised Programme Curator and Producer at UCFC. He is also a copywriter in finance and fashion.īorn and raised in Hong Kong, Riley is the Lead Curator of Odyssey 2023. This year's theme focuses on the debate about ‘Global Sustainability’.ĭaniel has written on film and film festivals since 2007 and contributed to Den of Geek, FACT, The Guardian and other media. In its 3rd edition, Odyssey: a Chinese cinema is an annual film festival presented by NGO UK-China Film Collab (UCFC). It wishes to inspire a new scope for discussion, in reflection of a revolutionary time. This programme, as part of the Odyssey 2023 film festival, provides a wider context of both Chow’s career and Hong Kong film culture in recent decades.
Odyssey 2023 and Prince Charles Cinema are happy to showcase four films from across his decade-spanning career, in a retrospective program that’s the first of its kind in the UK. A true multi-hyphenate, Stephen Chow is a writer-director-star-producer responsible for some of the wildest, most enjoyable comedies in cinema history, flying the flag for his brand of Hong Kong mo lei tau (“nonsense comedy”).
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